Confused about HDV and
Panasonic DVCPRO HD Differences? Here are the Facts
VidCom Ltd.
100-77 W 8th Ave
Vancouver BC
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www.vidcom.ca
vidcom@vidcom.ca
Ph: (604) 732-9711
Fax: (604) 732-8814

- Check out this Studio Monthly article for a more in-depth comparison.

Panasonic DVCPRO HD HDV
4:2:2 Colour
(twice the colour info)
4:2:0 Colour
Edit in native DVCPRO HD To edit MPEG long GOP requires recompression - more processing required and introduces additional compression artifacts
100Mbps with no MPEG compression Aggressive 25Mbps MPEG compression.
No MPEG motion artifacts Multi-Generational motion artifacts from both filming and editing
Audio - 2 Stereo pairs (4 nodes) 16-bit 48khz uncompressed Audio - 1 Stereo pair (2 nodes) 16-bit 48khz compressed MPEG-1 layer II
Tapeless workflow - no lengthly video capturing sessions, and P2 cards are garanteed to be reusable over 100,000 times. Tape based, requires an expensive VCR and non-reusable tape, as well as tape storage, and lengthly capturing sessions.
AG-HVX200 P2 Camera
Recorded P2 Card
Blank P2 Card
P2 Store
Apple G5
with Final Cut Pro
USB2.0

Panasonic AG-HVX200

AG-HVX200's Cool Features
True variable frame rates are what make this camera rock. Like the VariCam, which can record frame rates from 4 to 60 fps, the HVX gives shooters a wide variety of frame rates to choose from. When shooting high-definition video at 720p, it can record at 24p, 30p and 60p, but also at a staggering variety of frame rates in-between. You know what that means: superb frame-accurate film-style slow motion, which no other camera, except, of course, the VariCam, can touch.

In addition to the incredibly flexible 720p recording mode, the HVX200 becomes the first camera under $100,000 to record high-definition 1080/24p.



Apple VAR
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Contacts at VidCom
Your Solution Provider for Over 25 Years
Kris Kostiuk
Steve Jones
Chandru Vasandani
Bob deWaayer
January 2006